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Clare Maclean : ウィキペディア英語版
Clare Maclean

Clare Maclean (born in 1958 on the South Island of New Zealand, at Timaru) is a New Zealand composer. She received her formative musical training under Gillian Bibby at the Wellington Polytechnic. She then moved to Australia, where she studied composition in Sydney with Peter Sculthorpe. Singing with the Sydney University Chamber Choir under the direction of Nicholas Routley introduced her to the intricate Renaissance polyphony that affected her early compositions.〔(【引用サイトリンク】url=http://www.australianmusiccentre.com.au/artist/maclean-clare )
==Early compositions==
In 1985 Maclean composed ''Christ the King'', a setting of New Zealand poet James K. Baxter, which has received numerous performances in both Australia and North America, as well as several recordings. Conceived as several interpolations for a performance of John Taverner’s "Westron Wynde" Mass, the composer subsequently tied them together to create a single work that combines elements of plainchant and hymnody with polyphonic passages. The composer’s ingenious weaving and re-ordering of two Baxter poems, ‘Song to the Father’ and ‘Song to the Lord God on a Spring Morning,’ was an early indication (in 1984) of her acute sensitivity to text, a trait that runs through all her subsequent works. In the same year, Maclean also revised four solo settings of Baxter’s verse. Over the next four years she composed two other major commissions for the Sydney Chamber Choir, "Et Misericordia" (1986) and "A West Irish Ballad" (1988). These three works formed the basis for a CD devoted entirely to her music, performed by the Sydney Chamber Choir and released in 1995 on the Tall Poppies label (TP 073).

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